The person behind the faders

I play piano and guitar. That’s where this all started — making music at home, obsessing over how records sounded, and wanting more control over my own. Audio engineering was the natural next step.

I’m self-taught, which means I’ve spent a lot of time listening, experimenting, and learning from every source I could find. I’m drawn to pop and indie — music where emotion and space matter as much as technical precision.

I’m early in my career. That means I’m hungry, affordable, and completely focused on the work. Every project I take on gets my full attention.

I don’t believe in a signature sound — I believe in your sound. Being self-taught means I never had someone tell me “this is how it’s done.” I approach every mix with curiosity rather than habit.

Great mixing is about empathy. Understanding what a song is trying to say and making every element support that message. Sometimes that means bold moves. Other times, it means knowing when to leave things alone.

Communication comes first. You’ll never feel left in the dark about where your project stands, and revisions are part of getting it right — not a penalty.